Say what you want about M. Night Shyamalan’s foray into disaster movie terrain, but its last 25 minutes are excellent, carefully walked through in this screenshot-based analysis.
Before The Visit came M. Night Shyamalan’s early masterpiece The Village. Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.
A visual analysis of key scenes of M. Night Shyamalan’s masterpiece and his virtuoso use of motifs, staging and interconnectedness to achieve coherence and closure.
It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.
Den verdenskjente filmkomponisten James Newton Howard (Batman Begins, The Hunger Games) satte seg ned med Montages for en prat, i forbindelse med årets utgave av World Soundtrack Awards i Ghent, Belgia. [1]
Alberto Iglesias ble den store prisvinneren under årets filmmusikk-event i Ghent, mens komponiststjernene James Newton Howard og Pino Donaggio prydet konsertdelen. Montages var tilstede.
