I 2018 ønsker vi å utvide vårt fokus på filmer av kvinnelige regissører, inspirert av emneknaggen #FemaleFilmmakerFriday. Presentasjonene vil ligne Flashback-spalten slik den fremstod tidligere, men basere seg på frysbilder i stedet for videoklipp.
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«The film begins in the aftermath of a car crash, and in so doing establishes its primary structural principle: the edit as ellipsis. Every cut in any film necessarily deletes something and moves things along, but in Valeska Grisebach’s moody meditation on bad love there are entire events—important elements—deliberately excised from the story’s flow. To underscore the significance of these obliterated moments, the narrative hinges on an act of infidelity that the audience does not see, and that the protagonist does not remember.»
– Chris Chang, Film Comment
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Filmen er tilgjengelig på DVD.
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