Club Zero mirrors the reality of consumer culture, where influencers, self-help coaches, and wellness gurus promote ideologies that conveniently align with products they sell.

Tewfik Saleh's The Dupes (1972) serves as a reminder of cinema's potential to incite social change and foster cross-cultural empathy. By amplifying Palestinian voices and challenging dominant narratives, it advocates for human rights and justice.

In the realm of cinematic farewells, The Boy and the Heron stands as a poignant adieu from the masterful hand of Hayao Miyazaki.