Fish Tank (2009), British director Andrea Arnold’s second feature, is a brutally tender exploration of adolescence and isolation, where realism and metaphor mirror the struggle between hope and disillusionment.

Tomás Gutiérrez Aleas Minner fra underutviklingen (1968) er den cubanske filmhistoriens hovedverk – en filosofisk rik og historisk viktig film, preget av stilsikker regi og en tydelig auteurstemme. Denne uken vises den på Cinematekene rundt om i landet.

Cannes 2025: Oliver Laxe’s new film Sirât opens in Dionysian madness, sweaty bodies, and the sound of acid bass in the Moroccan desert. Anarchic, psychedelic, and uncompromising, Laxe moves through the underground like second nature.

Club Zero mirrors the reality of consumer culture, where influencers, self-help coaches, and wellness gurus promote ideologies that conveniently align with products they sell.

Tewfik Saleh's The Dupes (1972) serves as a reminder of cinema's potential to incite social change and foster cross-cultural empathy. By amplifying Palestinian voices and challenging dominant narratives, it advocates for human rights and justice.

In the realm of cinematic farewells, The Boy and the Heron stands as a poignant adieu from the masterful hand of Hayao Miyazaki.