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P. Stuart Robinson

P. Stuart Robinson (1958), is an Associate Professor in Political Science at the University of Tromsø. He is a regular contributor on cultural events for Tromsø’s net publication, Tromsø by.

KVIFF at War (2026): Defences Breached but Movies Endure
International Edition

KVIFF at War (2026): Defences Breached but Movies Endure

Av P. Stuart Robinson

The Karlovy Vary Film Festival, with its army of peace-loving poets and intellectuals, and the films they make and watch, can be a beacon to guide us through conflict, oppression and violence.

«Se meg» (photo: Film Servis Festival Karlovy Vary).
International Edition

Nina Knag’s road to hell on a fine, strapping pavement of good intentions: Se meg

Av P. Stuart Robinson

KVIFF 2025: Norwegians! They try to be nice but really they’re dark to the core – just how the Czechs like them!

«Renovation» (photo: Film Servis Festival Karlovy Vary).
International Edition

Good films come in all shapes and sizes: Karlovy Vary 2025

Av P. Stuart Robinson

The taught, almost clinically dark vision of Se meg, the reflective subtlety of The Visitor, the anarchic odysseys of About a Hero and Fucktoys. The highlights of yet another Karlovy Vary International Film Festival, the 59th, are many.

«The End».
International Edition

Joshua Oppenheimer’s The End may be anti-musical and anti-world but at least it’s pro-planet

Av P. Stuart Robinson

«It's when the music stops that the excuses, the rationalisations and obfuscations, rise like scum to the surface.»

Lilja Ingolfdottir’s debut feature Elskling is so good, we just have to pull it apart!
International Edition

Lilja Ingolfdottir’s debut feature Elskling is so good, we just have to pull it apart!

Av P. Stuart Robinson

KVIFF 2024: On the one hand, Lilja Ingolfdottir’s Elskling («Loveable») provides a remarkably vivid case-study of mixed-up, complex and always flawed humanity. On the other, it shows us convincingly how some of the most destructive and self-destructive tendencies might be reined in.

Karlovy Vary 2024: ‘It was the best of times. It was the worst of times…’  
International Edition

Karlovy Vary 2024: ‘It was the best of times. It was the worst of times…’  

Av P. Stuart Robinson

KVIFF 2024: Back to my people, my Brigadoon-style episodic community, my lovely, fragile, tragicomic festival! What follow are the confessions of a diehard festival-head.

TIFF’s Silent Film Days 2024: Rediscover the true revolutionary space for our times
International Edition

TIFF’s Silent Film Days 2024: Rediscover the true revolutionary space for our times

Av P. Stuart Robinson

«We could do a lot worse than come together with the living cinematic remains of a few notable kindred spirits, here in the ghostly, life-affirming audiovisual exuberance of Tromsø’s Silent Film Days.»

BIFF 2023: Fight the power with documentary film!
International Edition

BIFF 2023: Fight the power with documentary film!

Av P. Stuart Robinson

BIFF 2023: Bergen International Film Festival is renowned for its documentaries, great vehicles for challenging authority, fighting the good fight. This year Åsmund Hasli’s Ping Pong Family and Sharon Roggio’s 1946: The Mistranslation that Changed Culture were two of the highlights.

KVIFF 2023: Russell Crowe Band invades the ‘East of the West’
International Edition

KVIFF 2023: Russell Crowe Band invades the ‘East of the West’

Av P. Stuart Robinson

KVIFF 2023: Never underestimate the proverbial margin; it’s where new things are born. Karlovy Vary International Film Festival’s (KVIFF) signature programme “East of the West” may be gone but the concept resonates more than ever. 

«Rubikon».
International Edition

Just make something up! Tales of tall tales and parables for our times (KVIFF 2022)

Av P. Stuart Robinson

Karlovy Vary 2020: We live in an age of creative awakening. This is the flipside, the upside of ‘post-truth times.’ We know not where this leads but it behoves us to make the best of the journey. The alternative is dystopia – and we all know what that is like!

Girls on film: Nina Menkes’ Brainwashed: Sex-Camera-Power (KVIFF 2022)
International Edition

Girls on film: Nina Menkes’ Brainwashed: Sex-Camera-Power (KVIFF 2022)

Av P. Stuart Robinson

KVIFF 2022: The truth about ‘girls on film’ according to director Nina Menkes.

Adrian Dalen’s Baby fingers – just watch and learn! I’ve already said too much!
International Edition

Adrian Dalen’s Baby fingers – just watch and learn! I’ve already said too much!

Av P. Stuart Robinson

Movies on War 2021: Baby Fingers won the Nordic short-film competition in Elverum, squeezing out plenty of longer and more ‘weighty’ rivals, because it has the capacity to make us think and even to see ourselves with new eyes.

This is war, goddammit, so if you can’t pick a side then at least take a stand!

This is war, goddammit, so if you can’t pick a side then at least take a stand!

Av P. Stuart Robinson

«Movies on war may tell us much about war, but especially the exit plan, the path to a genuine peace.»

‘It’s a pity – they take your entire life’: Jan Šikl recalls the bitter pill of oppression in Reconstruction of Occupation
International Edition

‘It’s a pity – they take your entire life’: Jan Šikl recalls the bitter pill of oppression in Reconstruction of Occupation

Av P. Stuart Robinson

KVIFF 2021: Jan Šikl’s Reconstruction of Occupation may represent a timely reminder of the caprices of power and their human costs and, perhaps above all, the costs of capitulation.

At last! Movies are back: Starting – naturally – with the silent variety

At last! Movies are back: Starting – naturally – with the silent variety

Av P. Stuart Robinson

Tromsø International Film Festival’s Silent Film Days: It’s a postmodern pandemic and silent film, a century after its heyday, has never been more relevant. This is the perfect time to revisit the dawn of the cinematic age.

Mark Jenkin’s Bait (2019) rouses the sleeping giant of class-consciousness – in a quaint Cornish cove

Mark Jenkin’s Bait (2019) rouses the sleeping giant of class-consciousness – in a quaint Cornish cove

Av P. Stuart Robinson

«Mark Jenkin’s Bait (2019) pulls back the commercial façade to provide another sort of experience, one you won’t find in any tourist brochure or its cousin, the feel-good movie.»

Never mind Greeks bearing gifts, filmmakers bearing ‘true stories’ are the real threat!
International Edition

Never mind Greeks bearing gifts, filmmakers bearing ‘true stories’ are the real threat!

Av P. Stuart Robinson

Karlovy Vary 2019: Fact-finding filmmakers everywhere are revealing what you’re really up to, and it is their dubious claim to being fiction (or fabrication) free that makes them so dangerous.

Where Man Returns: Off the map it may be, but North Norwegian film is coming in from the cold!
TIFF 2019

Where Man Returns: Off the map it may be, but North Norwegian film is coming in from the cold!

Av P. Stuart Robinson

TIFF 2019: When Man Returns may not sweep you away like some movie-land fairground rollercoaster, but it will take you on the kind of slow, arduous journey that is the hallmark of the North.

Is Charlie Chaplin’s The Gold Rush (1925) modern?

Is Charlie Chaplin’s The Gold Rush (1925) modern?

Av P. Stuart Robinson

Tromsø Silent Film Days 2017: Is Charlie Chaplin’s The Gold Rush (1925) modern? Who cares! Like any true masterpiece, it transcends the confines of any epoch.

Fancy having your dreams documented?

Fancy having your dreams documented?

Av P. Stuart Robinson

Karlovy Vary 2017: Fancy having your dreams documented? Or maybe some tall story you made up for a laugh – or to get out of jail? Well, some indie filmmaker with an iPhone might just make you an offer you can’t refuse!

For all the monkeying around, Steve Oram’s Aaaaaaaah! has given us a mirror
TIFF 2017

For all the monkeying around, Steve Oram’s Aaaaaaaah! has given us a mirror

Av P. Stuart Robinson

TIFF 2017: You won’t need to read between the lines with Steve Oram’s Aaaaaaaah! because there aren’t any.

Et kunstnerportrett av kunstnerportrettet – en studie av Trygve Luktvasslimos eksistensielle tvil

Et kunstnerportrett av kunstnerportrettet – en studie av Trygve Luktvasslimos eksistensielle tvil

Av P. Stuart Robinson

«Har du opplevd en eksistensiell krise i det siste? Jeg håper ikke møtet med Trygve Luktvasslimos filmtrilogi kaster deg ut i en. Eller kanskje du hadde hatt godt av det? De lærde strides om verdien av nitid selvgranskning.»

«Elefanthud»

Norway’s got talent – so don’t squander it! Rebecca Figenschau’s Elephant Skin receives warm reception

Av P. Stuart Robinson

Karlovy Vary 2016: Rebecca Figenschau’s short Elephant Skin (2015) received its international premiere and a warm reception at Karlovy Vary Film Festival this week. But why is this the only new Norwegian film being shown here?

Silent film just won’t lay down and die – Midnight Sun Film Festival has just shown us why

Silent film just won’t lay down and die – Midnight Sun Film Festival has just shown us why

Av P. Stuart Robinson

«The curious appeal of silent film may tell us something about the conditions of great cinema per se, and, in particular, why truly great movies are so much easier to recognise than they are to create.»

Midnight Sun (Photo: Antti Yrjönen).

Midnight Sun Film Festival – still a cinematic beacon in a world ever darker?

Av P. Stuart Robinson

Storm-clouds are gathering. Now, more than ever, we need our lantern bearers, our beacons of hope. We need Sodankylä’s Midnight Sun Film Festival! But can it survive the loss of its guru?

Peter von Bagh is dead. Long live Peter von Bagh!

Peter von Bagh is dead. Long live Peter von Bagh!

Av P. Stuart Robinson

Sadly, we lost Peter von Bagh, the tireless guardian of this remarkable diamond in the woods: Midnight Sun Film Festival. Will the magic survive his death? I’m worried but hopeful and, one way or another, I mean to find out.

(Photo: Matti Aikio)

The Cinema and the Gallery – When worlds collide?

Av P. Stuart Robinson

A strange case of parallel universes explored through Declan Clarke’s Geist Trilogy from 2015. Are you ready for film at its absolute weirdest, flouting all cinematic conventions and ‘hung out’ in a gallery?

A miracle at work: Mannen fra Snåsa
TIFF 2016

A miracle at work: Mannen fra Snåsa

Av P. Stuart Robinson

TIFF 2016: Margreth Olins Mannen fra Snåsa offers another view, an impetus to think again. It finds something universal and genuinely moving in a theme we might too quickly have dismissed as no more than banal.

Silent film: It’s curious, it’s charming, but how to watch it?

Silent film: It’s curious, it’s charming, but how to watch it?

Av P. Stuart Robinson

As we say in Britain, there’s more than one way to skin a cat – and there’s more than one way to screen a silent film. The opening night of Tromsø’s Stumfilmdager showed us the way.

What makes a film festival truly great? Searching for clues at Karlovy Vary’s 50th Anniversary

What makes a film festival truly great? Searching for clues at Karlovy Vary’s 50th Anniversary

Av P. Stuart Robinson

The festival – of film or anything else – is a powerful modern symbol of freedom and, at its best, an astonishing outpouring of human creativity. It depends on a delicate balancing-act between order and spontaneity, however.

The magic of Mark Cousins – One man’s film guru and another man’s irritating dilettante

The magic of Mark Cousins – One man’s film guru and another man’s irritating dilettante

Av P. Stuart Robinson

Karlovy Vary 2015: How to explain the magic and the peril of charismatic DIY filmmaker Mark Cousins? I met the ‘legend’ and watched some of his films at the Karlovy Vary International Film Festival.

No sex please, we’re filmmakers! Halfdan Ullmann Tøndel breaks the mould with Bird Hearts

No sex please, we’re filmmakers! Halfdan Ullmann Tøndel breaks the mould with Bird Hearts

Av P. Stuart Robinson

Karlovy Vary 2015: If you see one sex-film this summer, make it this one.

Norwegians – what are they good for? Dirk Ohm at Karlovy Vary International Film Festival

Norwegians – what are they good for? Dirk Ohm at Karlovy Vary International Film Festival

Av P. Stuart Robinson

Karlovy Vary 2015: Norwegians – what are they good for? At the international premiere of Bobbie Peers’s debut feature The Disappearing Illusionist I found the answer and – trust me – it’s not what you think!

Realism – Search for Truth or Road to Nowhere?

Realism – Search for Truth or Road to Nowhere?

Av P. Stuart Robinson

«What gives a work the kind of mark of authenticity that can prompt the sophisticated cinephile to nod with approval and self-satisfaction at being able to appreciate such a difficult but worthwhile film?»

What did you do in the war? Red Army casts new light on the Soviet conquest of the world

What did you do in the war? Red Army casts new light on the Soviet conquest of the world [1]

Av P. Stuart Robinson

Gabe Polsky’s documentary Red Army casts new light on the Soviet conquest of the world – of hockey. [1]

From Victor Fleming’s Gone with the Wind to Steve McQueen’s 12 Years a Slave: ‘A Counter-history’

From Victor Fleming’s Gone with the Wind to Steve McQueen’s 12 Years a Slave: ‘A Counter-history’

Av P. Stuart Robinson

Our taste for McQueen’s earnest – and now Oscar-winning – exposé says a lot about our own liberal complacency. In this respect we’d do well to develop a finer appreciation for the not so discrete charms of an earlier classic.

The Exquisite Balance of Action and Repose in Paweł Pawlikowski’s Ida
International Edition

The Exquisite Balance of Action and Repose in Paweł Pawlikowski’s Ida

Av P. Stuart Robinson

TIFF 2014: Ida’s black and white imagery and heavy use of static shots might seem a little one-dimensional, but its simplicity is part of its charm.

Some Thoughts on the Study of Terminal Institutions in Frederick Wisemans At Berkeley
TIFF 2014

Some Thoughts on the Study of Terminal Institutions in Frederick Wisemans At Berkeley

Av P. Stuart Robinson

TIFF 2014: How can master filmmaker Frederick Wiseman scrutinise the body of the University and fail to notice it dying before his eyes?

The Irrepressible Spirit of Youth: Mark Cousins’ The First Movie
TIFF 2014

The Irrepressible Spirit of Youth: Mark Cousins’ The First Movie

Av P. Stuart Robinson

TIFF 2014: This is a film inspired by the irrepressible spirit of youth, a spirit unbowed by the horrific gas attacks suffered at the hands of Saddam Hussein.

A Serenade for a Grinning Assassin with Saul Schwarz’s Narco Cultura
TIFF 2014

A Serenade for a Grinning Assassin with Saul Schwarz’s Narco Cultura

Av P. Stuart Robinson

TIFF 2014: The national divide between two very different parts of one city, El Paso and Ciudad Juaréz, is the setting for this provocative documentary about the catastrophic ‘war on drugs'.

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