Gilda is the queerest heterosexual film ever committed to celluloid. Yes, this supreme case study of the male gaze is, in fact, very, very gay.

Danny Boyles Shallow Grave har 30-årsjubileum, og vises på Cinematekene denne uken. Gabrielė Liepa skriver om gjensynet med filmen: «Shallow Grave has a surprising amount of plates spinning despite being a debut.»

Nicolas Roeg was one of the few British filmmakers who was willing to risk it all; and while sometimes the shots didn’t land, how extraordinary it is, still to this day, to see a film that refuses to cater to the caprices of the industry.

What is the appeal of Jeanne Dielman for the viewers and critics in 2022? Is it possible that its influence stretches far beyond our immediate understanding, and is enveloped by external forces that wreak havoc on the film industry?