As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.
Hva er, eller gir, et godt bilde av et menneske? Joachim Triers engelskspråklige film Louder Than Bombs er en svært subtil utforskning av dette spørsmålet, både i konkret og metaforisk forstand.
Cannes 2015: Louder Than Bombs refuses to dole out easy answers, but is pregnant with an inquisitiveness about existence and human psychology. It’s such a rich film that it’s difficult to amply parse in a single sitting. [1]
