Cannes 2022: It feels so apt that Norwegian director Kristoffer Borgli, on stage in a crisp suit at Cannes and wresting the spotlight away from Thierry Fremaux himself, called his feature debut Sick of Myself a ”toast to the assholes”.

«Europe has a tendency to wake up and find itself different in the immediate aftermath of the Berlinale. Through no fault of the films themselves, history is speeding up and finding us responding to constantly outdated upheavals.»

Berlinale 2021: While largely successful both in the quality of the films and in their technical delivery to press and industry members, this year's Berlinale made it clear that streaming at this level still poses some issues.

Venice 2019: Defined by its plurality – of perspectives, of themes, of ages – Dag Johan Haugerud’s Barn moves out of step, like a knight on a chess board.