Søkeresultat for: "Yellow Bird og Nordisk Film"

  • 30. august 2013

    Lady in the Water, Part I: A reappraisal

    It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.

  • 20. juni 2014

    Unbreakable, Part I: Characters and relationships

    Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.

  • 16. januar 2016

    Louder Than Bombs: Joachim Trier’s play on perspective

    As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

  • 9. mars 2020

    VampyrVidar (2018)

    Thomas Aske Berg og Fredrik Waldelands VampyrVidar er ikke helt uten kvaliteter, men til å være en film som utgir seg for å være en vampyrkomedie, er det påfallende lite vampyrtematikk og heller ikke spesielt mye komikk å spore.

  • 23. september 2015

    The Village, part I: Motifs and story arc

    Before The Visit came M. Night Shyamalan’s early masterpiece The Village. Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.

  • 21. mars 2014

    En samtale med Eskil Vogt – del 1

    Vi har snakket med regissør og manusforfatter Eskil Vogt om arbeidet med Blind, årene som registudent på La fémis i Frankrike, møtet med Joachim Trier, filmforståelse, viktige inspirasjonskilder – og mye annet. [2]

  • 27. mars 2020

    Flukten over grensen (2020)

    «Johanne Helgelands Flukten over grensen er en viktig film, ikke bare fordi den formidler den norske krigshistorien til barn, men fordi målet åpenbart har vært å lage kvalitetsfilm til det yngste publikummet.»

  • 27. juni 2014

    Unbreakable, Part II: Motifs and colour

    M. Night Shyamalan’s enigmatic superhero thriller is a film where everything seems to be connected to everything else. We look at various motifs and colour codings that move in intricate and sometimes very strange patterns.

  • 23. oktober 2015

    The Village, part II: A tapestry of characters

    After a general evaluation of this M. Night Shyamalan tour de force, the large cast of characters and their relationships are examined, with a special emphasis on subtext and how that is expressed through mise-en-scène.

  • 12. mai 2017

    After Earth, Part I: Much better than you think

    With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan’s disproportionally maligned middle period.