Søkeresultat for: "Wanted Film"

  • 30. august 2013

    Lady in the Water, Part I: A reappraisal

    It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.

  • 20. juni 2014

    Unbreakable, Part I: Characters and relationships

    Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.

  • 16. januar 2016

    Louder Than Bombs: Joachim Trier’s play on perspective

    As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

  • 22. februar 2019

    The Happening, Part I: The twisted face of mankind

    Say what you want about M. Night Shyamalan’s foray into disaster movie terrain, but its last 25 minutes are excellent, carefully walked through in this screenshot-based analysis.

  • 23. september 2015

    The Village, part I: Motifs and story arc

    Before The Visit came M. Night Shyamalan’s early masterpiece The Village. Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.

  • 26. februar 2015

    Signs, Part III: Dreams, demons and birds

    Signs offers rich allegorical subtexts of dreams, magic and the aliens as metaphors for the characters’ inner demons. We also chart references to The Birds, and analyse the masterful cellar sequence and the film’s ending.

  • 11. januar 2014

    The Sixth Sense, Part III: Motifs and a Funeral

    We conclude our in-depth analysis of M. Night Shyamalan’s masterpiece with a close look at motifs and structural aspects, concluding with a shot-by-shot commentary on the post-funeral sequence.

  • 31. oktober 2013

    James Gray, den umoderne

    Frem til The Immigrant har James Grays filmer vært satt i moderniteten, i det urbane. Menneskene har traska rundt i den siste tidas klær, bygg, asfalt, lys og rom. Likevel kan regissørens sensibilitet beskrives som distinkt umoderne.

  • 8. mai 2012

    Steven Soderberghs filmer, del 2

    I en serie på tre deler gjennomgår vi alle Steven Soderberghs spillefilmer, og i denne andre saken presenterer vi filmene fra Soderberghs kommersielle gullalder – 2000 til 2007.

  • 28. juni 2011

    48 minutter med Roger Deakins – del 1

    Coen-brødrenes True Grit slippes på DVD og Blu-ray i disse dager, og vi har gleden av å presentere et intervju med den legendariske filmotografen Roger Deakins – om estetikk, fototeknikk og arbeidsmetoder. [4]