Søkeresultat for: "Out of Africa Entertainment"

  • 30. august 2013

    Lady in the Water, Part I: A reappraisal

    It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.

  • 16. januar 2016

    Louder Than Bombs: Joachim Trier’s play on perspective

    As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

  • 5. mars 2013

    Out 1, noli me tangere

    TIFF 2016: Jacques Rivettes Out 1 ble lansert i 1971, og er i dag å anse som en av filmhistoriens hvite hvaler – kanskje den aller mest sagnomsuste og samtidig minst sette av dem alle. [6]

  • 20. juni 2014

    Unbreakable, Part I: Characters and relationships

    Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.

  • 12. mai 2017

    After Earth, Part I: Much better than you think

    With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan’s disproportionally maligned middle period.

  • 7. februar 2015

    Signs, Part I: Delightful entertainment, with meaning

    M. Night Shyamalan has created a Signs fiction film about alien invasion, with powerful horror set pieces and comedic touches. An analysis of its dreamlike opening sequence peels away complex layers of motifs and echoes.

  • 23. juli 2016

    Lights Out glimter til, men sliter med å løsrive seg

    Hva er det med morsrollen som gang på gang driver regissører til å lage skrekkfilm? Med Lights Out føyer svenske David F. Sandberg seg inn i rekken – lykkes han med å injisere noe nytt liv i en trøtt trope?

  • 11. august 2014

    Unbreakable, Part III: Visual style

    M. Night Shyamalan’s visual style consists of a series of recurring formal devices. Watching Unbreakable feels like participating in a ritual where these devices are applied and reapplied, in new variations and combinations.

  • 26. februar 2015

    Signs, Part III: Dreams, demons and birds

    Signs offers rich allegorical subtexts of dreams, magic and the aliens as metaphors for the characters’ inner demons. We also chart references to The Birds, and analyse the masterful cellar sequence and the film’s ending.

  • 25. august 2017

    Split, Part II: The fine print of M. Night Shyamalan

    The apparent simplicity of Split conceals a surprising amount of ideas, refinement and subtlety. This is a moment-by-moment analysis of the brilliant abduction scene, plus a hard look at isolation, corridors, animals and flowers.