We are unable to let go of Interstellar...! This third article explores the film as an experience and its music, editing and consistency. And perhaps there are more plans in the film than Plan A and B?

"Homesick primarily plays on the unspoken. Dialogues are marked by pauses and silent tensions between characters. Most films increase their pace towards a climax, but in Sewitsky the pauses just grow longer and more pregnant."

A return to this severely under-appreciated film, for its discussion of storytelling, interpretation, film criticism, artificiality, stylisation, interconnectedness – and whether stories can become real.  [4]

A Shyamalan enthusiast is struggling mightily to come to terms with the conundrum of The Happening, a split identity film that swings wildly between excellence, rampant quirkiness and unchecked hysteria.

Zeitgeist is replaced by timelessness, chamber music by a symphony. The systematically unpredictable Thelma is Joachim Trier and his team's most sonorous, lyrical and adventurous film.

A strange case of parallel universes explored through Declan Clarke’s Geist Trilogy from 2015. Are you ready for film at its absolute weirdest, flouting all cinematic conventions and ‘hung out’ in a gallery?

«Som levende utstillingsobjekter i et vanskjøttet museum stiller mor og datter tillitsfullt ut hverandres historier.»

M. Night Shyamalan has created a Signs fiction film about alien invasion, with powerful horror set pieces and comedic touches. An analysis of its dreamlike opening sequence peels away complex layers of motifs and echoes. [1]

TIFF 2014: Ida’s black and white imagery and heavy use of static shots might seem a little one-dimensional, but its simplicity is part of its charm.

Terrence Malick fortsetter å fornye filmkunsten i et eksperimentelt verk som syder av virkelighetslengsel. [1]