Søkeresultat for "Les Films du Fleuve":
Psychological Landscapes: The Visual Environment in Joachim Trier’s Cinema and Its Parallels in Agnès Varda’s Films
Joachim Trier's cinematic technique of connecting character psychology with visual environments has a meaningful lineage that can be traced back to one of the pioneers of the French New Wave: Agnès Varda.
«I will continue to make my films» – en samtale med den iranske regissøren Mohammad Rasoulof
Film fra sør 2017: Den iranske regissøren Mohammad Rasoulof nektes utreise fra Iran for å besøke Oslo med sin nye film Mannen mot strømmen, og i samtale med Montages utbroderer den viljesterke filmskaperen om sin situasjon.
Forget your stupid Dad: M. Night Shyamalan’s superhuman escapism in Trap
Dag Sødtholt har igjen gått analytisk til verks på en M. Night Shyamalan-film, nå kinoaktuelle Trap: "Great entertainment is provided in an audacious film where a virtuoso, multi-layered performance by Josh Hartnett shall seduce us into accepting Trap as an arena of pure playfulness."
The Deep Darkies of the Soul: M. Night Shyamalan organically swings in The Visit
"You have to laugh to keep the deep darkies in a cave." Shyamalan's most audacious film presents a bizarre mix of knowing irony, youthful naivete, mental illness, comedic horror and tonal shifts, yet everything seamlessly works.
Genuinely socialist: The Midnight Sun Film Festival [2]
Like many of its own films, the Midnight Sun Film Festival remains true to perhaps the greatest cinematic – and human – aspiration of them all: to express an understanding of, and solidarity with, all the others washed up with us here on this strange little planet of ours. [2]