Først ut i vår nye serie med korte komponistportretter er Randy Newman, for tiden aktuell med Toy Story 3. 
Det unike tillitsforholdet med kritikere og publikum har gitt Pixar rom for å lage sin smaleste og uten tvil særeste film til dags dato. Meget mulig er resultatet deres beste film noensinne. 
M. Night Shyamalan’s enigmatic superhero thriller is a film where everything seems to be connected to everything else. We look at various motifs and colour codings that move in intricate and sometimes very strange patterns.
Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.
«Her life as a mother dictated what spaces she would film in. Her feminist I takes place in the film, in the frame, behind and within the camera. Her installations are inhabitable, a shed of cinema to walk through and be within.»
«What gives a work the kind of mark of authenticity that can prompt the sophisticated cinephile to nod with approval and self-satisfaction at being able to appreciate such a difficult but worthwhile film?»
An initial response to the narratively complex and structurally beautiful Glass, which concludes the diverse trilogy of the meditative mood piece Unbreakable and the character-oriented suspense film Split.
A Shyamalan enthusiast is struggling mightily to come to terms with the conundrum of The Happening, a split identity film that swings wildly between excellence, rampant quirkiness and unchecked hysteria.
With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan’s disproportionally maligned middle period.
A final look at M. Night Shyamalan’s Split, this time its formal approach with a special emphasis on his inventive use of point-of-view shots, stealthy camera movements, overhead and underhead shots, and many other subtleties.
«Med et skeivt og lekent blikk på verden, konstruerer, dekonstruerer og rekonstruerer Kim Hiorthøy både abstrakte – tanker, ideer, sinnsstemninger – og konkrete – bilder, lyder, filmatiske virkemidler og fortellerformer – ting.»
The new leaner, meaner version of M. Night Shyamalan has made a bizarre but thoroughly gripping film, providing an emotionally deep understanding of why psychological survival mechanisms arise in abuse victims.