As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.
Hvem bør se G.I. Joe? Hvordan oppstod traileren til A Serious Man? Er fotoarbeidet i Public Enemies bra eller dårlig? Svarene, og en ny kortfilm, i ukens Kortklipt. 
David Cronenberg og manusforfatter Steven Knight jobber med en oppfølger til Eastern Promises, ifølge MTV. Viggo Mortensen har allerede signert, og både Focus Features … 
Regissøren av Hunger, Steve McQueen, vender i sin neste film et musikalsk blikk mot det afrikanske kontinent. 
KVIFF’09: Den sterke dramathrilleren Sin Nombre fraktet oss vekk fra fredelige Karlovy Vary til en brutal meksikansk virkelighet i går kveld. 
Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.
A return to this severely under-appreciated film, for its discussion of storytelling, interpretation, film criticism, artificiality, stylisation, interconnectedness – and whether stories can become real.
Once more with feeling! Yes, it took about a century, but silent film is back. 
M. Night Shyamalan is particularly adept at creating a set of hidden motifs that govern the film. We look at circles, water, doors, houses, the sky and how they operate in two brilliant horror set pieces.
A final look at M. Night Shyamalan’s Split, this time its formal approach with a special emphasis on his inventive use of point-of-view shots, stealthy camera movements, overhead and underhead shots, and many other subtleties.
We look at three outstanding scenes in this better-than-you-think M. Night Shyamalan film, along with its pervasive motif of figures in a landscape, visual rhymes and many occasions of elegant staging.
M. Night Shyamalan’s enigmatic superhero thriller is a film where everything seems to be connected to everything else. We look at various motifs and colour codings that move in intricate and sometimes very strange patterns.
The apparent simplicity of Split conceals a surprising amount of ideas, refinement and subtlety. This is a moment-by-moment analysis of the brilliant abduction scene, plus a hard look at isolation, corridors, animals and flowers.
Cannes 2011: Filmfestivalen i Cannes er ikke bare de kunstnerisk ambisiøse filmene i det offisielle programmet. På det svært hektiske filmmarkedet kan man kjenne på livet i den kommersielle filmkulturen. Her er vår første nyhetsrapport derfra.