Søkeresultat for: "Film Movement"

  • 30. august 2013

    Lady in the Water, Part I: A reappraisal

    It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.

  • 20. juni 2014

    Unbreakable, Part I: Characters and relationships

    Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.

  • 16. januar 2016

    Louder Than Bombs: Joachim Trier’s play on perspective

    As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

  • 11. august 2014

    Unbreakable, Part III: Visual style

    M. Night Shyamalan’s visual style consists of a series of recurring formal devices. Watching Unbreakable feels like participating in a ritual where these devices are applied and reapplied, in new variations and combinations.

  • 23. desember 2013

    The Sixth Sense, Part I: Stature and Style

    A stunning piece of high-precision filmmaking, formally inventive, thematically intelligent, emotionally gripping, a momentous commercial success, an almost perfect film.

  • 23. oktober 2015

    The Village, part II: A tapestry of characters

    After a general evaluation of this M. Night Shyamalan tour de force, the large cast of characters and their relationships are examined, with a special emphasis on subtext and how that is expressed through mise-en-scène.

  • 23. september 2015

    The Village, part I: Motifs and story arc

    Before The Visit came M. Night Shyamalan’s early masterpiece The Village. Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.

  • 27. juni 2014

    Unbreakable, Part II: Motifs and colour

    M. Night Shyamalan’s enigmatic superhero thriller is a film where everything seems to be connected to everything else. We look at various motifs and colour codings that move in intricate and sometimes very strange patterns.

  • 12. mai 2017

    After Earth, Part I: Much better than you think

    With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan’s disproportionally maligned middle period.

  • 26. februar 2015

    Signs, Part III: Dreams, demons and birds

    Signs offers rich allegorical subtexts of dreams, magic and the aliens as metaphors for the characters’ inner demons. We also chart references to The Birds, and analyse the masterful cellar sequence and the film’s ending.

  • 11. januar 2014

    The Sixth Sense, Part III: Motifs and a Funeral

    We conclude our in-depth analysis of M. Night Shyamalan’s masterpiece with a close look at motifs and structural aspects, concluding with a shot-by-shot commentary on the post-funeral sequence.