Søkeresultat for: "Fabrica de Cine and Lotus Entertainment"

  • 20. juni 2014

    Unbreakable, Part I: Characters and relationships

    Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.

  • 16. januar 2016

    Louder Than Bombs: Joachim Trier’s play on perspective

    As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

  • 10. september 2020

    Foundations of a home – on Mona Fastvold’s The World to Come

    Venice 2020: «If Portrait of a Lady on Fire found desire in the immediacy of the act of seeing, Mona Fastvold’s film locates it deep into the retroactive power of the written word, which turns every diary into a map to salvation.»

  • 30. august 2013

    Lady in the Water, Part I: A reappraisal

    It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.

  • 23. oktober 2015

    The Village, part II: A tapestry of characters

    After a general evaluation of this M. Night Shyamalan tour de force, the large cast of characters and their relationships are examined, with a special emphasis on subtext and how that is expressed through mise-en-scène.

  • 23. september 2015

    The Village, part I: Motifs and story arc

    Before The Visit came M. Night Shyamalan’s early masterpiece The Village. Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.

  • 12. mai 2017

    After Earth, Part I: Much better than you think

    With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan’s disproportionally maligned middle period.

  • 26. februar 2015

    Signs, Part III: Dreams, demons and birds

    Signs offers rich allegorical subtexts of dreams, magic and the aliens as metaphors for the characters’ inner demons. We also chart references to The Birds, and analyse the masterful cellar sequence and the film’s ending.

  • 23. desember 2013

    The Sixth Sense, Part I: Stature and Style

    A stunning piece of high-precision filmmaking, formally inventive, thematically intelligent, emotionally gripping, a momentous commercial success, an almost perfect film.

  • 11. august 2014

    Unbreakable, Part III: Visual style

    M. Night Shyamalan’s visual style consists of a series of recurring formal devices. Watching Unbreakable feels like participating in a ritual where these devices are applied and reapplied, in new variations and combinations.