Søkeresultat for: "Beacon Isle Films"

  • 30. august 2013

    Lady in the Water, Part I: A reappraisal

    It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.

  • 12. mai 2017

    After Earth, Part I: Much better than you think

    With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan’s disproportionally maligned middle period.

  • 20. juni 2014

    Unbreakable, Part I: Characters and relationships

    Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.

  • 1. september 2017

    Split, Part III: Meeting of multiple minds

    The cat-and-mouse sessions between psychiatrist and patient form a thrilling acting laboratory, where M. Night Shyamalan’s fundamentally static set-ups are done with rigour and discreet invention. Bonus: film references.

  • 23. desember 2013

    The Sixth Sense, Part I: Stature and Style

    A stunning piece of high-precision filmmaking, formally inventive, thematically intelligent, emotionally gripping, a momentous commercial success, an almost perfect film.

  • 4. desember 2017

    Wes Andersons Isle of Dogs åpner den 68. utgaven av Berlinalen

    I en pressemelding annonserte Berlinalen i dag at Wes Andersons Isle of Dogs blir neste års åpningsfilm. Et aldri så lite historisk øyeblikk for festivalen, ettersom Isle of Dogs blir den første animasjonsfilmen som tildeles denne æren.

  • 23. november 2012

    Tanker om Kim Ki-duks brokete karriere

    Sørkoreanske Kim Ki-duk er både OIFF- og kinoaktuell med Gulløve-vinneren Pietá. Vi byr på en fullstendig gjennomgang av regissørens brokete karriere. [1]

  • 22. april 2019

    The Happening, Part II: Goners with the wind

    A guide to the many powerful suicide scenes, including the brilliant, icily electrifying opening where normality turns into nightmare. Plus motifs, visual ideas and references to earlier Shyamalan works.

  • 31. mars 2019

    Agnès Varda in a box: Inhabiting TOUT(e) VARDA

    «Her life as a mother dictated what spaces she would film in. Her feminist I takes place in the film, in the frame, behind and within the camera. Her installations are inhabitable, a shed of cinema to walk through and be within.»

  • 11. april 2011

    Rapport fra New Directors/New Films 2011

    Montages har besøkt den 40. utgaven av New Directors/New Films, som viser det beste av ny internasjonal film fra første- og andregangsregissører. I år inkluderte det bl.a. Sykt lykkelig og regissør Anne Sewitsky.

  • 26. februar 2015

    Signs, Part III: Dreams, demons and birds

    Signs offers rich allegorical subtexts of dreams, magic and the aliens as metaphors for the characters’ inner demons. We also chart references to The Birds, and analyse the masterful cellar sequence and the film’s ending.

  • 24. januar 2019

    M. Night Shyamalan’s Glass: Fusion of shards

    An initial response to the narratively complex and structurally beautiful Glass, which concludes the diverse trilogy of the meditative mood piece Unbreakable and the character-oriented suspense film Split.