Vår guide til Film fra sør 2019: Fem filmer du må se
Film fra sør 2019: Den 29. utgaven av hovedstadens største filmfestival er nå endelig i gang, og tradisjonen tro løfter vi i Montages-redaksjonen frem fem anbefalinger fra programmet.
Søkeresultat for: "BFI Film Fund"
Lady in the Water, Part I: A reappraisal
It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan’s Lady in the Water for its very real qualities.
Unbreakable, Part I: Characters and relationships
Our in-depth look at M. Night Shyamalan’s early films continues with Unbreakable: perhaps the only mainstream Hollywood formalist film, a mass-market movie approached with an unrelenting European art film sensibility.
Lady in the Water, Part II: Self-reflexivity and visual stylisation
A return to this severely under-appreciated film, for its discussion of storytelling, interpretation, film criticism, artificiality, stylisation, interconnectedness – and whether stories can become real.
Håp (2019)
«Med så store motsetninger og emosjonelle svingninger kan melodramaet og overspillet være farlig lett å ty til, men i Maria Sødahls Håp balanseres alt på en perfekt måte – i manus, regi og ikke minst skuespill.»
Louder Than Bombs: Joachim Trier’s play on perspective
As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.
Desperate connections: An analysis of Anne Sewitsky’s Homesick (2015)
«Homesick primarily plays on the unspoken. Dialogues are marked by pauses and silent tensions between characters. Most films increase their pace towards a climax, but in Sewitsky the pauses just grow longer and more pregnant.»
The Happening, Part III: Do you think it could be plants?
A Shyamalan enthusiast is struggling mightily to come to terms with the conundrum of The Happening, a split identity film that swings wildly between excellence, rampant quirkiness and unchecked hysteria.
En samtale med Eskil Vogt – del 1
Vi har snakket med regissør og manusforfatter Eskil Vogt om arbeidet med Blind, årene som registudent på La fémis i Frankrike, møtet med Joachim Trier, filmforståelse, viktige inspirasjonskilder – og mye annet. [2]
Christopher Nolan’s Interstellar, plan A: Caressing across the galaxies
This is the first of three analytical articles on Christopher Nolan’s science fiction epic Interstellar. A transcendent cinematic work, whose construction and staging hold a plethora of deeply embedded patterns and structures.
Askeladden – I Soria Moria slott (2019)
Vi lever i den nasjonalromantiske reproduksjonens tidsalder, og en film som Mikkel Brænne Sandemoses Askeladden – I Soria Moria slott skriver seg rett inn i denne tradisjonen.
The Village, part I: Motifs and story arc
Before The Visit came M. Night Shyamalan’s early masterpiece The Village. Mismarketed and misunderstood as a horror movie, it has gained a following as a mood piece of pastoral beauty, intense emotion and stylised lyricism.
Virtuos innfallsestetikk og noir-poesi i Diao Yi’nans The Wild Goose Lake
Film fra sør 2019: Den kinesiske thrilleren The Wild Goose Lake er gjennomvåt av virtuos noir-poesi, og har en nesten umettelig appetitt for filmspråklig utforskning.
The Village, part II: A tapestry of characters
After a general evaluation of this M. Night Shyamalan tour de force, the large cast of characters and their relationships are examined, with a special emphasis on subtext and how that is expressed through mise-en-scène.
Joachim Trier’s Thelma (2017) Part I: What does it all mean?
Zeitgeist is replaced by timelessness, chamber music by a symphony. The systematically unpredictable Thelma is Joachim Trier and his team’s most sonorous, lyrical and adventurous film.
Christopher Nolan’s Interstellar, plan C: The love of gravity
We are unable to let go of Interstellar…! This third article explores the film as an experience and its music, editing and consistency. And perhaps there are more plans in the film than Plan A and B?
The Sixth Sense, Part I: Stature and Style
A stunning piece of high-precision filmmaking, formally inventive, thematically intelligent, emotionally gripping, a momentous commercial success, an almost perfect film.
Filmfrelst #364: Om Film fra sør-programmet 2019
Film fra sør 2019: Vi var på plass da Film fra sør presenterte sitt program på Vega Scene i Oslo denne uken, og i denne live-podkasten kan dere høre vårt panel diskutere hva publikum kan forvente fra denne 29. årgangen. [2]