Dette er en engelskspråklig utgave av den norske artikkelen av samme navn, supplert med et nytt vedlegg med innspill fra diverse Facebook-diskusjoner om Denis Villeneuves film.

As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

What happens as the cyberpunk elements in Blade Runner are adapted and changed in Blade Runner 2049, brought into both the fictional future Los Angeles, as well as the cultural context of 2017?

A return to this severely under-appreciated film, for its discussion of storytelling, interpretation, film criticism, artificiality, stylisation, interconnectedness – and whether stories can become real.  [3]

Mesterverket Antichrist støter folk nesten uansett hvor den vises, og i Storbritannia har mange allerede reagert sterkt på promomaterialet for filmen, som har britisk premiere i morgen. Cineuropa skriver: “The […]

Zeitgeist is replaced by timelessness, chamber music by a symphony. The systematically unpredictable Thelma is Joachim Trier and his team's most sonorous, lyrical and adventurous film.

Although the framing story and twist are surprisingly prosaic, for long stretches of the main body M. Night Shyamalan's Old conjures up a combination of tension, absurdity and chaos that few other films have achieved.