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Søkeresultat for "Artificial Eye":

Blade Runner 2049: Cells interlinked (English version)

Blade Runner 2049: Cells interlinked (English version)

Av Dag Sødtholt

Dette er en engelskspråklig utgave av den norske artikkelen av samme navn, supplert med et nytt vedlegg med innspill fra diverse Facebook-diskusjoner om Denis Villeneuves film.

Louder Than Bombs: Joachim Trier’s play on perspective

Louder Than Bombs: Joachim Trier’s play on perspective

Av Dag Sødtholt

As so often in films, Louder Than Bombs is not a dissertation, but a meditation on its themes and motifs. Seen in isolation, words and deeds may seem unexceptional – it is as a whole that Joachim Trier film takes flight.

Interlinked: Adapting the Cyberpunk World of Blade Runner
International Edition

Interlinked: Adapting the Cyberpunk World of Blade Runner

Av Isak Enger

What happens as the cyberpunk elements in Blade Runner are adapted and changed in Blade Runner 2049, brought into both the fictional future Los Angeles, as well as the cultural context of 2017?

Digital restaurering og ambisiøs retrospektiv gir oss endelig alle Andrej Tarkovskijs filmer på Blu-ray

Digital restaurering og ambisiøs retrospektiv gir oss endelig alle Andrej Tarkovskijs filmer på Blu-ray [7]

Av Karsten Meinich

I Stobritannia slippes denne våren en komplett retrospektiv på kino av digitalt restaurerte kopier av alle de syv Tarkovskij-filmene, etterfulgt av komplette utgivelser på Blu-ray. [7]

Lady in the Water, Part II: Self-reflexivity and visual stylisation
International Edition

Lady in the Water, Part II: Self-reflexivity and visual stylisation [4]

Av Dag Sødtholt

A return to this severely under-appreciated film, for its discussion of storytelling, interpretation, film criticism, artificiality, stylisation, interconnectedness – and whether stories can become real.  [4]

Joachim Trier’s Thelma (2017) Part I: What does it all mean?

Joachim Trier’s Thelma (2017) Part I: What does it all mean?

Av Dag Sødtholt

Zeitgeist is replaced by timelessness, chamber music by a symphony. The systematically unpredictable Thelma is Joachim Trier and his team's most sonorous, lyrical and adventurous film.

Maria by Callas by Volf
International Edition

Maria by Callas by Volf

Av Joakim Parslow

Tom Volf's film Maria by Callas is by no means the first documentary about Maria Callas, by many considered to be the twentieth century’s greatest opera singer. Why, then, make yet another film?

Unbreakable, Part II: Motifs and colour
International Edition

Unbreakable, Part II: Motifs and colour

Av Dag Sødtholt

M. Night Shyamalan's enigmatic superhero thriller is a film where everything seems to be connected to everything else. We look at various motifs and colour codings that move in intricate and sometimes very strange patterns.

Promomateriale fra Antichrist skaper blest i Storbritannia

Av Lars Ole Kristiansen

Mesterverket Antichrist støter folk nesten uansett hvor den vises, og i Storbritannia har mange allerede reagert sterkt på promomaterialet for filmen, som har britisk premiere i morgen. Cineuropa skriver: “The […]

M. Night Shyamalan’s Old: Twelve against time
International Edition

M. Night Shyamalan’s Old: Twelve against time

Av Dag Sødtholt

Although the framing story and twist are surprisingly prosaic, for long stretches of the main body M. Night Shyamalan's Old conjures up a combination of tension, absurdity and chaos that few other films have achieved.

Lady in the Water, Part I: A reappraisal
International Edition

Lady in the Water, Part I: A reappraisal [2]

Av Dag Sødtholt

It was one of the most hated films of the 2000s, but with the trauma now at a distance, it is time to appreciate M. Night Shyamalan's Lady in the Water for its very real qualities. [2]

Unbreakable, Part III: Visual style

Unbreakable, Part III: Visual style

Av Dag Sødtholt

M. Night Shyamalan's visual style consists of a series of recurring formal devices. Watching Unbreakable feels like participating in a ritual where these devices are applied and reapplied, in new variations and combinations.

After Earth, Part I: Much better than you think

After Earth, Part I: Much better than you think

Av Dag Sødtholt

With the artistic, commercial and critical success of his two latest films, it is about time to soberly unearth the very real qualities of M. Night Shyamalan's disproportionally maligned middle period.

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