This is the stuff of audacious myth, combining the perverse, the glorious, and the ridiculous. The movies were invented to tell such stories. Paul Schrader’s «Cat People» moves boldly between a slice-of-life in present-day New Orleans and the windswept deserts where the Cat People were engendered, and his movie creates a mood of doom, predestination, forbidden passion, and, to be sure, a certain silliness. It’s fun in the way horror movies should be fun; it’s totally unbelievable in between the times it’s scaring the popcorn out of you.

– Roger Ebert ^[1]

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